The collection “200 bares de presión” emerges from working with aluminium formed using handmade dies and a hydraulic press, using pressure itself as a design tool.
The resulting pieces range from repetitive patterns to freer deformations, while always maintaining a clear functional purpose. Aluminium is not forced to conceal the process: marks, tensions, and the material’s physical decisions remain visible, becoming an essential part of each object.
Hand-sanded aluminium is combined with beech wood, introducing a warm contrast to an industrial and brutalist aesthetic. Each piece functions both as a usable object and as a record of the process that shaped it.